Mackie 1642VLZ4 16-Channel 4-Bus Compact Mixer

16-Channel, 4-Bus Compact Analog Mixer with 10 Onyx Preamps

The Mackie 1642VLZ4 16-Channel 4-Bus Compact Mixer delivers the proven performance of Onyx preamps in a compact 4-bus mixer design, suitable for bands, clubs, and more. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.

The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like an expanded return section for no-hassle system integration and a dedicated control room section, the 1642VLZ4 16-Channel 4-Bus Compact Mixer is the go-to mixer choice for any application that demands flexibility and professional performance.

Features:

• 16-channel mixer featuring Mackie signature high-headroom/low-noise design
• 10 boutique-quality Onyx mic preamps
• Ultra-wide 60dB gain range
• 128.5 dB dynamic range
• +22 dBu line input handling
• Extended frequency response
• Distortion under 0.0007% (20Hz - 50kHz)
• Phantom power for studio condenser mics
• Improved RF rejection perfect for broadcast applications
• Phantom power for condenser mics
• 16 high-headroom line inputs with +4/-10 operation control
• 4 aux sends, level, pan and PFL solo on each channel
• 3-band EQ (80Hz, 2.5kHz, 12kHz)
• 18 dB/oct 75Hz low-cut filter on mic input channels
• 60mm long-wearing log-taper faders
• 4 stereo returns for connecting FX processor or other stereo source
• ALT 3/4 stereo bus for added routing flexibility
• Control room / phones source matrix
• High-resolution 12-segment stereo meters
• Sealed rotary control resist dust and grime
• "Built-Like-A-Tank" rugged steel chassis with powder-coat finish
• High-visibility, high-contrast controls deliver convenient "at-a-glance" visual feedback
• Rack-mountable design using optional rack ear kit
• Multi-voltage power supply for worldwide use

Specifications:

• Noise:
  Main Mix Noise:
  Main Mix Fader @ Unity, Channel Faders Down: -86.5 dBu (92 dB signal-to-noise ratio, ref +4 dBu)
  Main Mix Fader @ Unity, Channel Faders @ Unity: -86 dBu
  (20 Hz to 20 kHz bandwidth, 1/4" main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)
• Total Harmonic Distortion (THD):
  Microphone In to Insert Send: <0.0007%
  (1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth)
  Crosstalk / Attenuation: Channel Mute Switch Engaged & Channel Gain Knob Down: -82 dBu
  (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain @ unity)
• Frequency Response:
  Microphone Input to Main Output (Gain @ Unity):
  +0, -1 dB, 20 Hz to 50 kHz
  +0, -3 dB, <10 Hz to >100 kHz
• Equivalent Input Noise:
  150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz
  Microphone input to insert send out, maximum gain
• Common Mode Rejection Ratio: Better than -70 dB @ 1 kHz
• Maximum Level:
  Microphone In: +22 dBu
  All Other Inputs: +22 dBu
  Main Mix TRS Out & XLR Out: +28 dBu
  All Other Outputs: +22 dBu
• Impedance:
  Microphone In: 2.5 kΩ
  Channel Insert Return: 2.5 kΩ
  All Other Inputs: 10 kΩ or greater
  Tape Out: 1.1 kΩ
  All Other Outputs: 120 Ω
• Equalizer:
  3-Band EQ (Channel 1 to 8):
  High Shelving: ±15 dB @ 12 kHz
  Mid Peaking: ±15 dB sweep 100 Hz to 8 kHz
  Low Shelving: ±15 dB @ 80 Hz
  Low Cut Filter: 18 dB/octave, -3 dB @ 75 Hz
  4-Band EQ (Channel 9 to 16):
  High Shelving: ±15 dB @ 12 kHz
  Hi Mid Peaking: ±15 dB @ 2.5 kHz
  Low Mid Peaking: ±15 dB @ 400 Hz
  Low Shelving: ±15 dB @ 80 Hz
  Low Cut Filter: 18 dB/octave, -3 dB @ 75 Hz
• Power Consumption: 50 W, 100 to 120 VAC/ 200 to 240 VAC, 50 to 60 Hz
• Operating Temperature: 32 to 104°F (0 to 40°C)
• Fuse Rating:
  100 to 120V: 1 A slo blo, 5 x 20 mm
  220 to 240V: 0.5 A slo blo, 5 x 20 mm
• Dimensions (H x W x D): 16.7 x 16.6 x 5.2" (425.0 x 421.0 x 131.0 mm)
• Weight: 18.2 lb (8.3 kg)