Mackie 802VLZ4 8-Channel Ultra-Compact Mixer

PA SKU # MAC 802VLZ4 MFR # 802VLZ4 UPC # 00663961039832
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  • Product Highlights
  • 8-Channel Mixer
  • 3 Onyx Mic Preamps
  • Ultra-Wide 60dB Gain Range
  • Supplies Phantom Power
  • 3-Band EQ
  • 12-Segment Stereo Meters
  • Sealed Rotary Controls
  • Built-Like-A-Tank

8-Channel Ultra-Compact Analog Mixer with 3 Onyx Preamps

The Mackie 802VLZ4 8-Channel Ultra-Compact Mixer features Onyx microphone preamps in a desk-friendly, ultra-compact design, suitable for professional applications with a lower input need. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.

The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for tactile control. With features like instrument level inputs, phantom power, and level metering, the 802VLZ4 offers a true step-up performance and durability that is suitable for your professional applications.
  • 8-channel mixer featuring Mackie signature high-headroom/low-noise design
  • 3 boutique-quality Onyx mic preamps
  • Ultra-wide 60dB gain range
  • 128.5 dB dynamic range
  • +22 dBu line input handling
  • Extended frequency response
  • Distortion under 0.0007% (20Hz - 50kHz)
  • Improved RF rejection perfect for broadcast applications
  • Phantom power for condenser mics
  • 8 high-headroom line inputs
  • Selectable instrument inputs on first two channels - no DI box needed
  • 3-band EQ (80Hz, 2.5kHz, 12kHz)
  • 18 dB/oct 100Hz low-cut filter on mic input channels
  • Aux send, level, pan and PFL solo on each channel
  • Stereo return for connecting FX processor or other stereo source
  • ALT 3/4 stereo bus for added routing flexibility
  • Control room / phones source matrix
  • High-resolution 12-segment stereo meters
  • Sealed rotary controls resist dust and grime
  • "Built-Like-A-Tank" rugged steel chassis with powder-coat finish
  • High-visibility, high-contrast controls deliver convenient "at-a-glance" visual feedback
  • Noise:
    Main Mix Noise:
    Main Mix Knob Down, Channel Level Knobs Down:
    XLR: -95 dBu
    TRS: -101 dBu
    Main Mix Knob at Unity, Channel Level Knobs Down:
    XLR: -90 dBu
    TRS: -96 dBu
    Main Mix Knob at Unity, Channel Level Knobs at Unity:
    XLR: -84 dBu
    TRS: -90 dBu
    (20 Hz to 20 kHz bandwidth, channels 1 to 3 gain at unity, channel EQs flat, all channels assigned to main mix, channel 1 panned left, 2 panned right, 3 to 8 centered)
  • Total Harmonic Distortion (THD):
    Microphone Pre at Insert: <0.001%
    (1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth)
  • Crosstalk / Attenuation:
    Main Mix Knob Down: -75 dBu
    Channel Alt / Mute Switch Engaged: -100 dBu
    Channel Level Knob Down: -100 dBu
    (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain at unity)
  • Frequency Response:
    Microphone Input to Main Output (Gain at Unity):
    +0, -1 dB, 20 Hz to 50 kHz
    +0, -3 dB, <10 Hz to >100 kHz
  • Equivalent Input Noise:
    150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz
    Microphone input to insert send out, maximum gain
  • Common Mode Rejection Ratio: Better than -70 dB at 1 kHz
  • Maximum Level:
    Microphone In: +21 dBu
    Tape In: +22 dBu
    All Other Inputs: +22 dBu
    Main Mix XLR Out: +28 dBu
    All Other Outputs: +22 dBu
  • Impedance:
    Microphone In: 2.55 kΩ
    Channel Insert Return: 5 kΩ
    All Other Inputs: 17 kΩ or greater
    Tape Out: 1 kΩ
    Phones Out: 60 Ω
    All Other Outputs: 120 Ω
  • Equalizer:
    High Shelving: ±15 dB at 12 kHz
    Mid Peaking ±15 dB at 2.5 kHz
    Low Shelving: ±15 dB at 80 Hz
  • Power Consumption: 13 W, 100 to 120 VAC, 50 to 60 Hz
  • Power Supply: External (AC Connector): 2-Pin IEC 250 VAC
  • Operating Temperature: 32 to 104°F (0 to 40°C)
  • Dimensions (H x W x D): 10.7 x 8.9 x 1.8" (273.0 x 227.0 x 47.0 mm)
  • Weight:
    5.5 lb (2.5 kg) with power supply
    4.5 lb (2.0 kg) without power supply
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