Key Features
- 4-Channel Mixer
- 2 Onyx Mic Preamps
- Ultra-Wide 60dB Gain Range
- Supplies Phantom Power
- 2-Band EQ
- 8-Segment Stereo Meters
- Sealed Rotary Controls
- Built-Like-A-Tank
Description
4-Channel Ultra-Compact Analog Mixer with 2 Onyx preamps
The Mackie 402VLZ4 4-Channel Ultra-Compact Mixer features Onyx microphone preamps in an ultra-compact design and is suitable for professional low-input applications. From every input to every output, the mixer is designed to provide the highest headroom and lowest noise possible for maximum signal integrity.
The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. With features like instrument level inputs, phantom power, and level metering, the 402VLZ4 4-Channel Ultra-Compact Mixer is a good choice for anybody who is big on performance, but light on inputs. The bottom panel of the mixer features has three non-threaded holes that allow it to be fitted with an optional microphone stand adapter (sold separately). This lets you support the mixer on a standard microphone stand and adjust its height and level to whatever suits your preferences.
Features:
- 4-channel mixer featuring Mackie signature high-headroom/low-noise design
- 2 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz - 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 4 high-headroom line inputs
- Selectable instrument inputs on first two channels - no DI box needed
- 2-band EQ (80Hz, 12kHz)
- 18 dB/oct 100Hz low-cut filter on mic input channels
- High-resolution 8-segment stereo meters
- Sealed rotary controls resist dust and grime
- "Built-Like-A-Tank" rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient "at-a-glance" visual feedback
Specifications:
- Noise:
Main Mix Noise:
Main Mix Knob Down, Channel Level Knobs Down: -103 dBu
Main Mix Knob at Unity, Channel Level Knobs Down: -98 dBu
Main Mix Knob at Unity, Channel Level Knobs at Unity: -92 dBu
Signal-to-Noise Ratio, ref. +4 dBu 102 dB
(20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1-2 gain at unity, channel EQs flat, stereo-pan button in) - Total Harmonic Distortion (THD):
20 Hz to 80 kHz Bandwidth: <0.005%
20 Hz to 20 kHz Bandwidth: <0.003%
(1 kHz @ 35 dB gain) - Crosstalk / Attenuation:
Main Mix Knob Down: -70 dBu
Channel Level Knob Down: -94 dBu
(1 kHz relative to +10 dBu, 20 Hz to 20 kHz bandwidth, microphone in, 1/4" main out, gain at unity) - Frequency Response:
Microphone Input to Main Output (Gain at Unity):
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz - Equivalent Input Noise:
150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone in to main out, maximum gain - Common Mode Rejection Ratio: Better than -70 dB at 1 kHz
- Maximum Level:
Microphone In: +21 dBu
Tape In: +24 dBu
All Other Inputs: +22 dBu
All Other Outputs: +22 dBu - Impedance:
Microphone In: 2.55 kΩ
Instrument Input: 1 MΩ
All Other Inputs: 10 kΩ or greater
Tape Out: 1 kΩ
Phones Out: 60 Ω
All Other Outputs: 120 Ω - Equalizer:
High Shelving: ±15 dB at 12 kHz
Low Shelving: ±15 dB at 80 Hz - Power Consumption: 8 W, 100 to 120 VAC, 50 to 60 Hz
- Power Supply: External AC Connector: 2-Pin IEC 250 VAC
- Operating Temperature: 32 to 104°F (0 to 40°C)
- Dimensions: 7.3 x 5.8 x 1.6" (186.0 x 147.0 x 41.0 mm)
- Weight: 3.0 lb (1.4 kg) with power supply
- 2.5 lb (1.1 kg) without power supply