{"product_id":"dpa-4560-core-binaural-headset-microphone-with-microlock-connectors-black","title":"DPA 4560 CORE+ Binaural Headset Microphone with MicroLock Connectors (Black)","description":"\u003cp\u003eDual-ear Headworn Binaural Microphone with Dual Omnidirectional Microphones and DPA MicroLock Connectors - Black\u003c\/p\u003e\n\u003cp\u003eThe 4560 CORE+ Binaural Headset Microphone is, in its essence, a pair of 4060 CORE+ Miniature Omnidirectional Microphones that are mounted on two earhooks (as known from the 4266 Flex type of headset). The microphones are a stereo pair; two handpicked 4060s, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNow available with CORE+ \u0026amp; MicroLock.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCORE+ takes your miniature mic to the next level, neutralizing distortion across the entire dynamic range. MicroLock - A dependable, secure locking microphone connector with limitless flexibility and reassuring reliability.\u003c\/p\u003e\n\u003cp\u003eThe actual headset is ergonomically designed to fit comfortably and easily. It adjusts to fit any ear size and head shape while at the same time it mounts securely and is hardly visible. Foam windscreens are supplied with the microphones to secure the position in the ear and to offer some damping of wind noise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound bites from the play: Good for Nothing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis play was developed by students of the Danish National School of Performing Arts. Nanna-Karina Schleimann created sound design and musical compositions.\u003c\/p\u003e\n\u003cp\u003eThe 4060 CORE+ Miniature Omnidirectional Microphones in this headset exhibit an exceptionally accurate omnidirectional pattern and therefore do not need to be aimed directly at the sound source to achieve quality pickup. This pattern also makes it less sensitive to handling noise as well as pop and wind noise. These 4060s handle sound pressure levels up to 134 dB before clipping occurs. This headset mic is well suited for applications where the sound source is more remote or damped and you need to have a good balance signal versus noise.\u003c\/p\u003e\n\u003cp\u003eBinaural recording is a technique that uses two microphones to create an immersive 3D stereo sound experience for the listener. When correctly accomplished, these recordings allow the listener to hear sounds like they are actually in the same position as the person who did the actual recording.\u003c\/p\u003e\n\u003cp\u003eBinaural recordings differ from more well-known stereo techniques because binaural uses two omnidirectional mics positioned close together (as if in a listeners ears) to replicate the sound pick up of the human ear as close as possible. Stereo on the other hand, use cardioid microphones with a larger space between them.\u003c\/p\u003e\n\u003cp\u003eOnline media - including Facebook, Google and others who are making an effort to create more appealing products, including immersive sound could benefit from binaural recording. Film recordists are using binaural techniques to gather content they can use for atmospheric sounds. In addition, podcasts using the binaural technique can provide content that is much more immersive and alive compared to traditional techniques.\u003c\/p\u003e\n\u003ch2\u003eFeatures:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePristine audio quality\u003c\/li\u003e\n\u003cli\u003eMics selected for sensitivity within ±1.5 dB\u003c\/li\u003e\n\u003cli\u003eInconspicuous mic placement\u003c\/li\u003e\n\u003cli\u003eLightweight and flexible headset\u003c\/li\u003e\n\u003cli\u003eFlexible adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern: Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation: Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type: Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eEffective frequency range ±2 dB: Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz: 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted: Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4: Typ. 35 dB (max. 38 dB)\u003c\/li\u003e\n\u003cli\u003eDistortion, THD \u0026lt; 0.5%: 128 dB SPL RMS, 131 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDistortion, THD \u0026lt; 1%: 129 dB SPL RMS, 132 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range: Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, THD 10%: 134 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eRated output impedance: From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability: Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle: Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR): \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance):\u003cbr\u003eFor wireless systems Min. 5 V - max. 10 V through DPA adapter\u003cbr\u003eWith DAD6001-BC: P48 (Phantom Power). Will work from 12 V\u003c\/li\u003e\n\u003cli\u003eCurrent consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector: MicroLock, MicroDot, TA4F Mini-XLR, 3-pin LEMO, Mini-Jack\u003c\/li\u003e\n\u003cli\u003eWeight: 13 g (0.46 oz) incl. Cable and MicroLock connector\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter: 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length: 17.6 mm (0.7 in)\u003c\/li\u003e\n\u003cli\u003eCable length: 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003eCable diameter: 2.2 mm (0.09 in)\u003c\/li\u003e\n\u003cli\u003ePolarity: Positively increasing sound pressure produces positive-going voltage at MicroLock pin (and pin 2 on DAD6001-BC XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range: -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH): Up to 90%\u003c\/li\u003e\n\u003cli\u003eColors: Black, Beige, Brown, White\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DPA Microphones","offers":[{"title":"Default Title","offer_id":46756600283314,"sku":"DPA 4560OPBB90","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/8122\/2322\/files\/4560-OP-B-B90.jpg?v=1764186483","url":"https:\/\/www.performanceaudio.com\/products\/dpa-4560-core-binaural-headset-microphone-with-microlock-connectors-black","provider":"Performance Audio","version":"1.0","type":"link"}