Lewitt LCT 640 TS with Focusrite Clarett 4Pre USB Bundle
PA SKU # WB LEWITT LCT640 4PR MFR # LCT-640-TS/CLARETT-4PRE
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- Product Highlights
- LCT 640 TS
- 5 Selectable Polar Patterns
- Change the Polar-Pattern
- Even After the Recording
- Revolutionary Dual-Output Mode
- Clarett 4Pre
- 18 Input / 8 Output
- 4 Mic Preamps with "Air" Feature
- Phantom Power
- 2 Headphone Outs
Lewitt LCT 640 TS Large-Diaphragm Condenser Microphone with Focusrite Clarett 4Pre USB Interface
Lewitt LCT 640 TS
Change the polar-pattern - even after the recording
Designed and engineered in Austria, LEWITT's new LCT 640 TS will revolutionize the way we think about the recording process. Set to Dual Output Mode the signal of the mics front and back diaphragm is provided by independent circuitries, any kind of polar pattern can be realized dynamically - even after the recording. Already recorded material can be changed dynamically by adjusting the polar pattern - room sound can be added or decreased, even a turn by 180° is possible. After recording with the LCT 640 TS you can use LEWITT's Polarizer plug-in to tweak the material with incredible ease of use. In Multi-Pattern Mode the LCT 640 TS has all the well-known characteristics of a great sounding studio multi-pattern condenser mic. It features five polar patterns: omni, wide cardioid, cardioid, supercardioid and figure-8. Perfect Match technology takes care that all LCT 640 TS will always form a matched pair. The Dual Output Mode allows to record Mid Side stereo with only one LCT 640 TS - usually only possible with two microphones. Clipping History, 4 low-cut and pre-attenuation settings round off the outstanding feature list of the LCT 640 TS. The LCT 640 TS opens doors to a new world of recording techniques.
A TRUE NEXT-GEN STUDIO MICROPHONE
Freely change the polar pattern in postproduction
Designed and engineered in Austria, the LCT 640 TS will revolutionize the way we think about the recording process. Since the signal of the front and back diaphragm is provided by independent circuitries, any kind of polar pattern can be realized dynamically - even after the recording.
Revolutionary Dual Output Mode
The LCT 640 TS provides the signal of the front and the back capsule separately. In addition to your standard XLR cable plug in the included mini 3-pin XLR and experience all the possibilities of this true next-gen microphone. Use both outputs to capture the whole session instead of committing to a single source.
Change the material you have already recorded dynamically by adjusting the polar pattern, add or subtract room, and even turn your microphone by 180°.
Think about all the possibilities!
Change pattern in your DAW
After recording with the LCT 640 TS, use our plug-in to change the pattern. Jump back and tweak your material.
Standard Multi-Pattern Mode
Plug in one 3-pin XLR and you have a large diaphragm multi-pattern condenser mic featuring the following polar patterns: omni, wide cardioid, cardioid, supercardioid and figure-8
Magnetic Pop Filter
Hides nothing, captures everything - except plosives and hisses.
This efficient magnetic pop filter will effectively reduce pops and hisses without covering 2/3 of your vocal artists face. The most subtle and convenient way of getting the most out of every single recording.
MS Stereo with one LCT 640 TS?
Usually, mid side stereophony can only be done with two microphones. But now, it is way easier to use one LCT 640 TS. Just point the side of the microphone to the signal source and record both outputs on a stereo track in your DAW. Change the panorama for both signals to adjust the stereo width.
Perfect Match technology
The future of stereo recording
Any two LCT 640 TS will always form a matched pair. Add another one and you will get a "matched triplet", and so on. Every single LCT 640 TS undergoes a series of measurements followed by adjustment of the polarization voltage to achieve exactly the same sensitivity in every microphone.
Innovative features make live easier
It is easily possible to miss if clipping occurred during the recording. Clipping History lets you know if the microphone clipped since it was last turned on.
Low-cut and attenuation
Adapt to every situation
Low-cut: linear, 40 Hz, 80 Hz, 160 Hz
Attenuation: 0 dB, -6 dB, -12 dB, -18 dB
Focusrite Clarett 4Pre
Better. Faster. Easier.
Excellent sound is the quality Clarett owners love most. With up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and eight specially-designed mic preamps with a unique analogue "Air" effect, Clarett 4Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.38ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.
Four New Clarett Mic Pres with extra 'Air'
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.
Precision Digital Conversion
Clarett features Focusrite's class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.
All four mic/line inputs are on the front panel for instant, easy access, and Clarett 4Pre's compact, rugged form factor makes it ideal for use on the road as well as in the studio.
Simplifying the way you work
Clarett's ultra-low round-trip latency completely transforms your workflow. If you're used to having to build two different mixes - one using input monitoring to overdub, the other using the DAW for playback - the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing (monitoring the input you're recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favourite plugins while recording too - whether it's reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.
Intuitive, Easy to Use Software Mixer and Sweet Sounding Plug-ins
Focusrite Control is a brand new software mixer designed for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Also included is a sweet sounding plug-in collection comprising Softube's world-class Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay and Saturation Knob. This is complemented by the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.
'Gain Haloes' help keep levels in check
Each of the four front panel inputs includes Focusrite's signature "Gain Halo" - an illuminated ring around the gain control that lights up green when there's signal and red when it's too high. There's a main monitor knob plus dual high-power headphone outputs with their own volume controls.
Plenty of ins and outs
Clarett 4Pre offers a full 18 audio inputs and eight outputs, including four front-panel multi-function inputs, four independent line inputs and line outputs, stereo S/PDIF I/O and dual headphone outputs. There are also eight channels of ADAT-format digital input - ideal for adding eight channels of digital mic pre.
- Lewitt LCT 640 TS
- Focusrite Clarett 4Pre USB
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