IK Multimedia EQ P50B Plug-In

This module is so great sounding because of the rather simple all-discrete circuit schematic of the original hardware it's based on, whose key point is the 2520 op-amp. Its four peaking bands with seven selected frequencies cover the whole spectrum and then some. It also allows for the overlapping of bands for complex EQ shapes - this is invaluable in mixing sessions where the proper EQ is the key to finding the right balance and position of a track within a mix.

Simplicity, though, doesn't mean lack of tone: the EQ P50B doesn't have many of the bell and whistle features others offer - like complex and eye-catching but oftentimes distracting displays. The ease of use of its two knobs per band enhances the analog feel of the module by providing the instant gratification of turning a knob and hearing a result.

The same "make it better" approach to the user interface of the digital model applied to the 3 band version was kept in the EQ P50B: the dual concentric knobs of the original hardware have been split for better usability and an uncluttered view. Band gain is also stepped in 1 dB (1.5 dBs towards the end of throw) increments for finer resolution.

The four-band design is particularly useful for exploring all of the complex facets of midrange critical tracks, like guitars, vocals, pianos or strings. Having two midrange dedicated bands - that span from 75Hz to 12.5KHz overlapping in some points - allows it to perform a variety of boosts and cuts that will shape the track and make it fit. Low and high bands can be conveniently switched to shelving mode for broader strokes if needed.