DPA Microphones S5 DPA Microphones S5
DPA Microphones S5 DPA Microphones S5

DPA Microphones S5

5 Point Surround Mount

MFR # S5 SURROUND MOUNT
Discontinued
This item is not currently available to order on our website. Please Contact Us for more information.

DPA Microphones S5
The S5 Surround Mount is a highly versatile and stylish microphone mount. The Surround Mount provides extreme flexibility due to its unique building block design. It allows for numerous configurations while providing visual elegance.

On stage, the mount is hardly visible and completely non-light reflective. The mount is equally suitable for fixed installations and mobile setups and can be neatly packed away into the supplied briefcase for easy transportation.

Compact and extremely lightweight, the Surround Mount is very strong and stable. Although the array is optimized for use with DPA microphones, it accommodates all microphone holders, and a broad variety of surround microphone arrays can be set up very neatly.

Arrays like OCT2, Hamasaki Square, Fukada Tree, and the DPA speciality WCSA (Wide Cardioid Surround Array) are possible with the S5. Expandability is possible at all times and only your imagination is the limit. Its elegant, yet unobtrusive, qualities and ability to reproduce any array accurately make the S5 an obvious choice.

Accessories
The S5 comes with a measuring tape and the unique DPA protractor, making precise distance and angling possible without having large and clumsy devices permanently fixed on the booms.

Also available as S5c with integrated cables.
DPA Microphones S5 Specifications
Color: Black, Non-light reflectiveWeight: 2500 g (88 oz) w. microphone holders
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DPA Microphones Performance Audio is an authorized DPA Microphones dealer.
Close your eyes and listen. From the subtlest nuances of a solo violin or vocalist to the thunderous intensity of a full brass section or drum kit, it's all there, spectacularly pure and uncolored. The sound is so crisp and detailed that you begin to create a mental picture of what the recording environment looked like. The microphones responsible? DPA, of course.
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