DPA Microphones MMC4011 DPA Microphones MMC4011


Product Information
Overview Reference in extreme sound level handling
The MMC4011 capsule is part of the flexible DPA Reference Standard series. The 4011A with the MMP-A preamplifier is the worldwide reference standard for extreme sound level handling, where the 4011C with the MMP-C compact preamplifier is excellent for compact and precise close-miking of the majority of instruments.

The principal appeal of the cardioid MMC4011 capsule is its directional quality and attention to detail: everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources when used as a spot mic on literally any style of live music, from rock 'n' roll to opera.
Specifications
  • Directional pattern: Cardioid
  • Principle of operation: Pressure gradient
  • Cartridge type: Pre-polarized condenser
  • Frequency range: 20 Hz to 20 kHz
  • Frequency range, +/- 2 dB: 40 Hz to 20 kHz
  • Sensitivity, nominal, +/- 2 dB at 1 kHz: 10 mV/Pa; -40 dB re. 1 V/Pa
  • Equivalent noise level, A-weighted: Typ. 18 dB(A) re. 20 Pa (max. 20 dB)
  • Equivalent noise level, ITU-R BS.468-4: Typ. 25 dB
  • S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 76 dB(A)
  • Color: Matte black
  • Weight: 18 g (0.6 oz)
  • Diameter: 19 mm (0.75 in)
  • Capsule diameter: 19 mm (0.75 in)
  • Length: 23 mm (0.9 in)
  • Temperature range: -40 C to 45 C (-40 F to 113 F)
  • Relative Humidity (RH): Up to 90 %
  • Matching tolerance: +/- 1 dB
  • Phase deviation for kit: < 10
Brand DPA Microphones
Model MMC4011
Part Number MMC4011
Product Category Microphone Accessories
Unit of Measure EACH
Weight 0.50 lbs.
DPA Microphones Performance Audio is an authorized DPA Microphones dealer.
Close your eyes and listen. From the subtlest nuances of a solo violin or vocalist to the thunderous intensity of a full brass section or drum kit, it's all there, spectacularly pure and uncolored. The sound is so crisp and detailed that you begin to create a mental picture of what the recording environment looked like. The microphones responsible? DPA, of course.
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